Now Featuring Andreas Meinich
Oslo-based artist Andreas Meinich combines cool, clinical images with playful situations, visual jokes and puns for a practice that is hard to pin down. Willing to make work that is by turns awkward, then slick, he can also startle us with flashes of uncanny beauty.
MH: What’s your background? You live and study in Oslo, and you have a practice that seems to play with design, publishing and more as well as making sculpture and images.
AM: I am finishing my BA in Visual Communication at the National Academy of Arts in Oslo, and I often collaborate with my girlfriend Natalie Rognsøy, who is studying Fine Arts at the same school.
MH: What can you tell me about where you generate or find your images? I am very interested in the the Untitled pieces from 2011 and where those images com from. They seem both naturalistic and topographic and also like data readout or graphs.
AM: I am drawn to images that have something clinical about them. I tend to collect a lot of images and then let them marinate on my hard drive for some time, before I open them again.
MH: Tell me a bit about your Blanket and Untitled (Hidden Depths) pieces. The presentation of the very cold images on machine-made but sensuous materials, the blanket and the poster, creates and interesting tension.
AM: The blanket is made thanks to print-on-demand services. I was wondering how I could publish my work, without relying on publishers, or making regular C-prints. I came upon Cafepress and I tried to print some shirts, then a yard-sign, the blanket and a yoga mat.You can call the Hidden Depths a ready-made, since it’s a poster from allposter.com that has been re-arranged.
MH: What’s your relationship with jokes? The pieces in your Selected Sculpture series, which I presume are sculptural scenarios you created for the camera (correct me if I’m wrong), are hilarious. So are some of your book titles, like “It’s just a hobby that I picked up in the lobby.”
AM: Since the artwork is presented in on internet and not in a gallery, it don´t have the same status and is less formal, and leaves room for something quirky, like Caps Lock, Untitled (Chico), Purple Voss etc.
MH: What role does collaboration have in your work? I see that you collaborate with a number of people, including LPP’s next featured artist, Natalie Rognsøy.
AM: Collaboration is very important to me. I think I search for artists (to collaborate with) that have a quality that I think I need.
















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